And they are: two more velvet robes!
Yea! Robe giving is a tradition in my family, and it makes me very happy to continue it. In the past, they were always crafted by my dear mom. She has gifted me at least two over the years - a red one when I was a teenager, and later a dark midnight blue one, and has made pastel beauties for other members of the family at least as many times if not many more.
This year marks a reversal of roles as well as a passing of the torch, for these newest two are destined for both my mom and my daughter: we are the perfect mitochondrial trifecta!
|A better rendition of the purple, but the blue is a bit darker in reality.|
I used the same pattern I developed and showed earlier this year, with added side seam pockets, which I had omitted in the robes I made for my two guys and me.
|The side seam pocket sits just below the belt loop, which is attached last of all.|
What makes this garment such a snap to make is that cotton velvet tears like a dream. If you've never done it, you'd never believe how fast and efficient it is to rip this pattern into the needed sections. No pattern needed, just a few measurements, a 5-6" saucer, and some chalk. Ripping judiciously - in a careful sequence - allows for a nice long one piece belt and an almost-one piece front band with no seam at CB neckline. In actuality, the front band is pieced at about knee level on the underlap (for women, the left) side, so it's always invisible.
For those of you interested in making your own, here are some construction details:
Fabric width = 105 to 110 cm
Garment width = 75 cm (lying flat) for a nice luxurious one size fits all robe with plenty of modesty-preserving overlap in the front.
Front band & belt width = about 15 cm (flat, unsewn); about 6 cm finished width.
|Finished width of front facing|
1. Rip one end of the fabric for a nice straight edge. Watch the velvet fur fly as you do it!
2. Decide on finished length (L) and add about 7 cm to that, which will be a 6 cm hem fold plus 1 cm SA.
3. Make a fold in your fabric with the WRONG sides together, at the L+7cm distance from the ripped edge, and lay the folded FF flat on a table, with the remainder (~ 2.6 m) underneath, and the excess puddled on a chair. For my two ladies, who are somewhat shorter than I, I wanted a 133 cm long, ankle-length garment, so I made a fold in my 4 m length of fabric at the 140 cm mark. The short upper layer will become the front, while the lower layer will be the back plus sleeves, pockets, and remnants.
4. On the ripped edge, chalk-mark the exact centre of the FF width, and make two marks 15 cm away from the selvage edges.
5. 31 cm from the fold, make a chalk mark on each selvage. They mark the lower cutting edges of the sleeves, which are 30 cm wide, with a 1 cm SA. Make a short, 5 cm or so, cut through BOTH layers of the FF perpendicular to the edge, and place your 4 or 5" clean saucer upside down approximately where the sleeve and the side of the garment would meet if you were going to sew them in a continuous curve.
6. On the bottom edge of the upper layer, make a small cut at each of the marks you made 15 cm from the sides (selvages), and rip this up to the saucer, proceeding slowly when you get close. Connect the sleeve cut to the side rip by cutting a smooth curve around the saucer, through BOTH layers of the fabric.
7. Set aside the long narrow piece you just ripped/cut. Now you have the lower layer peeking out, with the sleeve+curve already cut, needing to remove the 15 cm width along the side of what will be the garment's back. Rip the rest of that away all the way to the FF's other end that's lying puddled on the chair. These nice long, loooong pieces, one from each side of the lower layer, will be the belt and (most of the) front band.
8. When you've done that on both sides, you can rip off the lower layer to match the bottom (hem) edge of the top layer. From the remnant, prepare two sleeve rectangles (62 x 44 cm each, I rip a 62 x 88 piece and then rip that in half...) ....
|Each sleeve facing is made from a rectangle 62 x 44 cm|
|Pocket rectangle: the side seam edge is at left. I drew the pocket shape after the pocket pieces were attached and matched, and then sewed from the sleeve to hem in one continuous seam, going around the pocket along my sketch line.|
10. Almost done! Starting at the centre mark at the hem edge of the upper layer, rip that AAALLLL the way up to the fold. On the inside of the back, mark CB about 5 cm below the fold - it's important to do that, so you can later attach the hanging loop at exactly CB. Then realign the ripped edges. On the folded edge, mark the neckline at about 7.5 cm from the CF. From each neckline mark, draw a diagonal line to CF about 26 cm below the fold, and cut along that line. Connect the two diagonal cuts below the fold by cutting a shallow back neckline curve.
That's it! That's all the main pieces of the kimono-yukata-inspired dressing gown. This quick approach to creating the pattern pieces is the key, I'm convinced, to the fact that I was able to make both robes in just ONE day, the FF having been already pre-washed (on hot) and dried (also on hot, the cotton setting) the previous evening.
In terms of assembly, I find it easiest to sew the pocket to side seam first (to be able to remove the pins). I then press the bottom hems of the two front halves, making sure with a ruler that they are exactly the same depth at CF, and construct the front band (remembering to place the seam of the pieced bit on the lower left side for women, on the lower right for men). To me, it's just so much easier to handle that sequence of very long pinning, sewing, basting the underside so it laps over just a little, about 3 or 4 mm, and then stitching in the ditch to secure it, while the front of the garment can be unfolded into a continuous length, instead of when it's already locked in shape by the side seams. Remember to prepare and pin in place the hanging loop inside the neckline CB before basting and stitching in the ditch!
After the front band is done, I attach the sleeve rectangles to the sleeve edges, and sew each sleeve-upper side-pocket-lower side seam in one go.
|The pocket is edge-finished with a zig-zag, which is much easier around these tight curves than with a serger, and trimmed afterwards.|
If you're still with me after all of the above.... I just want to close by saying that a walking foot and basting are invaluable to a well finished product made out of this fabric, as velvet has a tendency to slide something awful. But the result is.....