Black and white and, um, pink??? yellow??? reddish??? all over

As I was starting the above title, I was naturally reminded of an old Communist era joke, what's black and white and red all over?  Pravda (the official  newspaper of the Soviet juggernaut).  And that of course brought to mind the quip that there is no news in Izvestiya and no truth in Pravda.  Tee hee.  Shows my age if nothing else.  But I digress....

Velvet trousers and lace top, accessorized with silk scarf and bass flute.
Photo by the lovely Kyoko of CorgiMark Photography 

This has been an eventful couple of months.  After an absence of two and a half years, I've returned to work, so my available sewing time and after hours stamina have both taken a huge hit.  Guess why I haven't had time to post?

Since I have to be reasonably presentable at work, I suddenly began to feel most keenly the lack of clothing that actually fits the me that I am today, 25 lbs less than a year ago (and that's after regaining quite a bit).   It's shocking how awful one looks in trousers that used to fit but now sag off  jutting hipbones and flap around skinny thighs.  Never mind all my lovely jackets that are several sizes too large - one wants to weep.  But hehey, I am svelte with a vengeance.

So I decided that this sorry situation needed to be rectified in a hurry.  Out came my Jalie trousers pattern 2908, redrafted down from my previous V to a crazy small P, and a couple of trouser-weight black wools from stash.  One, a very nice somewhat beefy twill with a little stretch actually started out grey, but such an ugly utilitarian grey that I promptly threw it into a pot with some Jacquard acid dye and turned it black, the best colour of all.  Grey, btw, is the hardest colour of all - it's never absolutely neutral, there's always some colour cast on it or another - purple, green, blue, impossible!   Add to those two a beautiful stretch poly velvet on sale at my local store, and in quick order I had three pairs of black slacks, two for work, one for my musical evenings, from the same pattern.  

Before sewing these three I made an executive decision:  no front fly on any of them, thank you.  I put a center back invisible zipper in the two work-worthy wools, and made the velvet slacks on an elastic waistband.  You can imagine how very much this simplified construction, can't you?  All feel great in wearing, and I love their smooth feminine fronts.

Photo by the lovely Kyoko of CorgiMark Photography 

The lacy top is based on the Jalie tee pattern 2805.  It's hard to see the neckline in the above photo, but I basically cut it a teeny bit wider than the pattern and then just turned the raw edge under and stitched it down with a zig zag;  I didn't want the headache of using self fabric binding (very uneven, being a stretch lace) nor a heavy binding overwhelming the lightness of the fabric.

So, an easy black and white look that can - and does - take me anywhere.

As a little teaser of what's coming, I'm working on another fun little Jalie zip jacket, pattern 2795 (zip front jacket and hoodie), out of a very funky wool knit from Emma One Sock.  I made some changes to the pattern:  basically, since I wanted to preserve the design of the knit to the utmost, I combined the centre and side pattern pieces of both front and back.  Today, I spent the afternoon prepping two front zip pockets:  first I created two narrow rectangles using silk organza, then hand stitched the zippers and trim into them.  This fabric has beautiful selvage, which I used to its utmost along the CF next to the zipper, and as trim for the pockets.  Here's what the lower fronts will look like:

Cute, right?  Before putting in the lower sleeve/side seams, I'm also going to add hidden zip pockets to the insides of these fronts.  I made one of these inner pockets - yes, just one, on the left - in the last version of this pattern I made, and  it's been invaluable.  Money, passport - close to my heart and utterly invisible and inaccessible.  Every easy wear jacket you intent to travel with needs one of those.

Working away!
:)

A little tweed top

I have a small remnant of my grey boucle/tweed.  It's just enough for the front of a top.  There's not enough for the back or sleeves.  Those sections will be made out of a black poly/rayon/spandex knit, a nice ponte.  I had to fall off my Stashbusting wagon (gasp!), and purchase one meter of the ponte to accomplish this.

I've been pondering how to sew up this top.  My initial idea was a top based on the Go 4001 dress, a side princess pattern, similar to the one I made for my brown suit. I made the full dress, too.

However, the boucle remnant is just barely too narrow for the two front pattern pieces.  It's only wide enough for the front if cut out of a single pattern piece, with a side or bottom dart for bust shaping. Arrrgh, right?

What has held me back from using a single front piece is, first, that it would look a bit boring, with limited shaping. More importantly, such a top would play to one of my favourite pet peeves of fashion, and that is what's known as "coffin clothes", i.e., garments that look interesting from the front only but have a dull, non-matching back.  I see dresses like this on the web pages of high end stores all the time:  sewn up out of beautiful front fabrics or with interesting front details, only to disappoint with truly nothing to look at, dull, dull, dull backs.  Not only does this generate an instinctive emotional ugh in me, but it also gets my back up that one is expected to pay through the nose for a supposedly designer garment that looks good only from one vantage point. My top, due to the remnant width limitation, was in danger of becoming just such a coffin item.

Then I thought, why not colour block it?  The boucle is wide enough for a centre front and side back panels. The black knit could make up the sleeves, side fronts and centre back pieces.  That way, the boucle side back pieces would add some interest to the back of the garment.   Colour blocking is also slimming.  Not really of importance, but heck, when fate offers you a little freebie along the way, why not grab it. And the knit sections will allow me to eliminate the CB zipper.

Here's the colour-blocked layout on the two fabrics:

Boucle:  side back and centre front pieces.  

Black ponte:  centre back, side front, and sleeves.  

The Go 4001 dress is sleeveless, with a very lovely boat neckline and slightly cut-in armscye.  I compared its neck, shoulder, and armscye shape to to the Jalie 2805 tee pattern, and adjusted accordingly so the sleeves fit correctly.

Pins in the boucle mark a slight widening of the armscye to match Jalie 2805 and the Jalie sleeve.

The back shoulder is also widened from 3" to 4", but the increase is centered on the existing shoulder in order to prevent gaposis. 

Inside front:  I lined all three boucle panels with grey bemberg lining, and sewed them together in such a way that the raw seam edges  are neatly enclosed between the boucle and the  lining.












Inside back.

Outside front:  the raw edges are caught by a narrow zigzag on the tweed, along the seamline.  Thanks to the texture of the boucle, the zigzag is completely invisible.

Outside back.
















This is the stage I reached by this afternoon, when it started to get dark.  But it's finished now:  an easy day's work from layout to hiding that last knotted thread.  If not for those lining pieces, and my wish to hide all the raw seams instead of just serging the lot together, plus some completely superfluous but cute (I think!) additional details, it would have taken no more than half the day to sew up.  

Oh, the skirt, and jacket, and silk blouse are also finished.  Whoever guesses correctly what I'll show in my next post gets a bright gold star!  I have lots of them to go around, btw!  ;)